As a kid, I was always a tomboy, playing sport and doing martial arts. And I'm pretty opinionated - I've never been told that I'm a weak person.

In high school, during lunchtime I would go in the room where the wrestling mats were and try different flips and different moves. Like windmills. I just started mixing martial arts with jazz and contemporary stuff and it would get mashed together and became my style.

The best part of being blonde is forgivable momentary lapses of common sense.

I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.

My perspective on life is now to try to play music that reflects that life and death are part of the same coin. And to know about life, we must really examine the function - like death. Life tells you a lot about what death is, not what people say it is.

I loved and protected my own children like a fierce mama bear, but one of them died anyway. It was a dark day when I realized that part of my responsibility in Casey's death was that I did not love all the children of the world in that same real, not abstract, way.

Horseracing already has the highest mortality rate of any sport in the world per capita to the people who do it. If you crash in Nascar you still have a roll bar, and a cage, and a lot of protection. It's built to crash, but if you fall off a racehorse we all know what can happen, so it's tremendously dangerous.

I was initially planning to write about grief in terms of Eurydice and the myth thereof. By that point the overall metaphor of height and depth and flat and falling and rising was coming into being in my mind.