My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic.

I'm not such an artist type that I can't handle the real world. I read the financial pages, because most people don't talk about art.

Most days, I practice piano in the mornings and I spend the rest of the day painting.

I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.

My birth mom has certainly not lived a life of means in any stretch of the imagination, nor does she want to.

The thing that most attracts me to historical fiction is taking the factual record as far as it is known, using that as scaffolding, and then letting imagination build the structure that fills in those things we can never find out for sure.

Having read my share of tell-alls over the year, including some that were passed off as autobiographies, I mostly feel sad - sometimes for the writer and sometimes for all the people in his way. I hope that the process of writing the tell-all gives some release and closure on what clearly was an unpleasant and unfulfilling life experience.

I was born into the most amazing family an underdog could be born into, and I was born into the LGBTQ community. And what a beautiful community we are. The art, the music, the fashion, the brains, the fight, the survival skills, the diversity, male, female, non-binary, Gender Non Conforming, cis, trans, femme, and all races.