Mostly in movies an actor has to come to a mark, an X, and deliver his line - but that's so artificial, that's not how people really behave.

When I was writing 'Withnail,' I was so busted flat that I had one lightbulb that I would carry around the house with me. I mean, really. No furniture, no money, and I was hoping to be an actor, but I could never get a job.

Isn't that the definition of a star? Someone who can get a film made?

I've always been that contemptible thing, a luxury communist.

I don't resent at all people saying, 'Oh, he's like a sweetheart'... but within comedy, it's a very funny way to talk about someone because it usually means they don't have much of an act.

I'm neurotic by nature, but I'm wary of becoming more of a play than a comic - you don't want people coming to see a man having a breakdown for two hours. I'd prefer them coming to hear my astute and witty observations.

The aim of a joke is not to degrade the human being, but to remind him that he is already degraded.

It's much easier for me to do an impression of someone real, because you and the audience begin with a baseline understanding of this person's life. And then if you subvert that in any way, it's a little comedy surprise.