L.A. Woman is amazing, but when I was growing up I was into the Who.

I think that's why I like baseball. There's something great about it - you're young, the pitcher's young and he's got this great arm, and he doesn't really realize anything about strategy.

I think you're the grumpy Kid in the Hall, I'm the nice Kid in the Hall.

I like to do little obsessed losers, or people who are in over their head, or people who are trying to figure stuff out, or guys whose girlfriends leave them and they don't quite get it. Guys who just don't quite get it.

I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.

The more a character wants and the less a character has the ability to get what they want, the more you have an endless fuel for storytelling in comedy.

I like very dry humor. I don't like things that are over the top. I like subtlety. I like things that are nonchalant. I like characters that are sort of monotone and based in dark comedy.

When Richard Pryor did comedy, it was like he was having a conversation.