We're coming into a new generation of women where there's the submissive woman, and then our reaction to it is, 'No, I'm a man, too, and I'm masculine,' and then we fight against it, which isn't the answer, either.

Growing up, I just loved movies. It was how I saw the world, which I wanted to learn more about.

Each step of the way I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken. It's a line that is always on the edge of being crossed, and once you cross it, what's next?

I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'

I think with every successful consumer Internet business, there will be lawyers that are interested in going after your company, especially when they think that there's a financial incentive.

After my first fashion week, there were so many brands approaching us, and we said 'No' 90 per cent of the time. We didn't care about making a lot of money - it seemed so short term. We've always wanted to create something bigger.

I didn't have money to eat when I was 21. When I was short on cash, I would sometimes scam food from fast food places. I'd go into fast food chains and pretend I was from a movie studio, tell them they didn't send us the right order and demand they fix it. I've tried to make that right whenever I could.

Clothes were terribly important in the '20s. They really were an arbiter of who you were and how much money you had: an indicator of social status.