We're coming into a new generation of women where there's the submissive woman, and then our reaction to it is, 'No, I'm a man, too, and I'm masculine,' and then we fight against it, which isn't the answer, either.

Growing up, I just loved movies. It was how I saw the world, which I wanted to learn more about.

Each step of the way I'm learning. When I leave an interview, I learn whether I feel, 'Oh, that was nice,' or that made me feel like a little piece of me was taken. It's a line that is always on the edge of being crossed, and once you cross it, what's next?

I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'

I like grown-up comedy, where it's about character and attitude and life as opposed to obvious gross-out and jokes.

I always say, 'Thank goodness 'Wimpy Kid' was a comedy because my singing in that was more humorous than professional.'

With 'J', at a deep base level, there is still some comedy, but that masculinist voice that had driven so many of my novels I suddenly did not want to occupy. I wasn't reneging on it; I just didn't want to do it.

I don't know what it must be like to be a writer in general, but to be a comedy writer, it's got to be something - it's a very special kind of talent.