I remember when I was a kid and I would go to the comic-book store, I would have no idea what was going on in that month's issues. Sometimes I wouldn't even know what comics were coming out until I walked into the store.

I've always seen 'Y' as an unconventional romance between a boy and his protector. It was always about the last boy on Earth becoming the last man on Earth, and the women who made that possible.

After 9/11, I knew I wanted to write about power and identity and the way Americans on all sides of the political spectrum often mythologize our leaders, which are themes that the superhero genre has always handled really well.

It's interesting - I think superheroes get much more unfair derision. There are so many good superhero books being done. Science fiction is almost more reputable, I guess, at least a step up from poor superheroes.

Pac was real, and he put everything into that music with the passion, creativity, and the drive, and I feel like it's all one in the same with myself.

I think it's important to earn your fan base and not just try to immediately advance to the top. If you ride to the top quickly, you're liable to fall as quickly. Take your time. It's a long journey ahead of you as an artist. There's nowhere that you're supposed to be other than right now living inside of your art.

Educationists should build the capacities of the spirit of inquiry, creativity, entrepreneurial and moral leadership among students and become their role model.

People, certainly in the U.K., look down on screenwriting as an art form, but I love the discipline of it. Next to the bagginess of novel writing, it almost feels like a martial art.