I now see how owning our story and loving ourselves through that process is the bravest thing that we will ever do.

Kids who have an understanding of how and why their feelings are what they are are much more likely to talk to us about what's happening, and they have better skills to work it out.

Waking up every day and loving someone who may or may not love us back, whose safety we can't ensure, who may stay in our lives or may leave without a moment's notice, who may be loyal to the day they die or betray us tomorrow - that's vulnerability.

When we're looking for compassion, we need someone who is deeply rooted, is able to bend and, most of all, embraces us for our strengths and struggles.

The founders of a new colony, whatever Utopia of human virtue and happiness they might originally project, have invariably recognized it among their earliest practical necessities to allot a portion of the virgin soil as a cemetery, and another portion as the site of a prison.

For Mythology is the handmaid of literature; and literature is one of the best allies of virtue and promoters of happiness.

Shared joy is increased, shared pain is lessened.

Working with the children on 'Matilda' has been a joy. They don't do this professionally - their sense of discovery is instinctive, and the challenge for us adults is to keep that going in ourselves when we're doing it for the fiftieth or the hundredth time. To my delight and amazement, it hasn't gone stale - we discover it freshly every time.