With 'Little Accidents', I spent probably three months working with a physical therapist, just understanding, starting from square one, about the neurological makeup of what happens when you have a stroke or what carbon monoxide poisoning does to your body.

I spent three months with a physical therapist understanding what a stroke is. I asked, 'What is a stroke?' I didn't really know. It's okay to mimic something, but I really needed to understand the signs.

I'm not ever going to be dependent on someone else for a job.

I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.

The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.

One of the first things I want do when I start writing music for a film is to create its own sound world, its own music world.

Because it's so easy to medicate our need for self-worth by pandering to win followers, 'likes' and view counts, social media have become the metier of choice for many people who might otherwise channel that energy into books, music or art - or even into their own Web ventures.

The truth of the matter is, every film is imperfect. It's the nature of the beast. One of the things that people ask me all the time is, what's the difference between theater and film, and one of the biggest differences is, in the theater you always get another go.