I'm definitely responsible for coming in with some basic chord changes, or ideas. Everybody in the band looks to me to come up with the basic seed, so it's not very productive to come in with nothing.

For someone who's had the level of success I've had, there's been very little critical review of my work, which is pretty fascinating.

I did 13-something years of talking to wrestlers and promoters about why they did certain things and why they booked matches a certain way and what they were thinking and whether they were satisfied with the draw. And I got a lot of insight in the business.

I'd reached a point where there was a direct conflict between what I was trying to be and who I really was.