If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.

I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.

The pen is an instrument of discovery rather than just a recording implement. If you write a letter of resignation or something with an agenda, you're simply using a pen to record what you have thought out.

I am increasingly attracted to restricting possibility in the poem by inflicting a form upon yourself. Once you impose some formal pattern on yourself, then the poem is pushing back. I think good poems are often the result of that kind of wrestling with the form.

If a man be gloomy let him keep to himself. No one has the right to go croaking about society, or what is worse, looking as if he stifled grief.

If I could go back in time and tell my younger self that eventually that I'd become very successful writing Dune books after Frank Herbert's death, I would have laughed myself silly, I think, at how strange that prospect would be.

I, Master John Hus, in chains and in prison, now standing on the shore of this present life and expecting on the morrow a dreadful death, which will, I hope, purge away my sins, find no heresy in myself, and accept with all my heart any truth whatsoever that is worthy of belief.

I now bid farewell to the country of my birth - of my passions - of my death; a country whose misfortunes have invoked my sympathies - whose factions I sought to quell - whose intelligence I prompted to a lofty aim - whose freedom has been my fatal dream.