If you're going to perform, you're going to attract criticism. You can't please everyone all the time. You don't know how things are going to come out. But that's part of the fun of it, the adventure of doing any kind of art.

At school, I was bored with the teachers, and there were moments where I felt they were singling me out.

I'm really grateful for the fact that I have full artistic control over my career. I can choose what film or TV projects I'm interested in doing.

Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.

Fashion is kinda a joke. I don't get too bogged down in the clothes. For me, it's one big art project, just a canvas to show that fashion should have a brand which has someone behind it who cares about different contexts. Social things.

It's always amazed me how little attention philosophers, psychologists, or anyone else actually has paid to humor.

Before I did comedy, I'd freestyle with all of my friends. In high school and into college, I recorded songs with my friends, not to perform but just to play for them. So I've had interest in music for a while. Early on, I'd host a lot of music open nights or hip-hop nights, so a lot of my early experience performing was around music.

It seems to me that humour is everybody's way of keeping sane and standing off from the situations so that they can see it intellectually, as well as emotionally, and I don't know whether you've noticed, but if somebody tells a joke, it's nearly always a mini fantasy.