I have been a harmony enthusiast since I was a child, singing in choir and with friends growing up. I always put a ton of harmonies on my demos.

Growing up in Hollywood meant there were a lot of film stars' kids at my school - but no conspicuous wealth. It wasn't cool to show off that you had money.

I just feel like growing up in Los Angeles, you learn, 'Well you're never gonna be the prettiest girl in the room, so just don't even try.' I mean, I care about being pretty, but it's not my most valued thing.

What led me to be an actor is that I have a strange something in me that can drastically change the way I appear to the world. Growing up, I couldn't understand why people would always have different ideas of me - but because of that I became aware of how you can manipulate your own ability to change. And then I learned to make a career of it.

Well I was much too practical to presume to have a career in comedy.

I've learned to start from a really sound argument, boil down the essence of what you're trying to say, then build your humor around that, rather than starting with, 'This sounds funny,' and going from there.

With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different.

I think the scariest person in the world is the person with no sense of humor.