By employing a certain sense of humor, you essentially get more serious about things and show conflict more effectively than if you were overly dramatic or only violent because that's a one-way approach that just forces audiences to watch something appalling.

I think you can be much truer to real emotions and reality by creating something that on the surface seems artificial but, by then putting everything together in the end, is much more impactful than trying to use realism in every individual element of the film.

I always loved films, and when I decided to go to film school, it was with the excuse that I would go into making commercials, because that would be a proper profession, and people wouldn't think I was crazy.

Try to place the camera somewhere where you get most of the information from there, so you don't need to have too many shots and be too explanatory and expositional about the scene.

I think it's harder for people than it should be. But as more and more of us become carbon neutral and change the patterns in our lives to be part of the solution instead of part of the problem, we are now beginning to see the changes in policy that are needed.

Whatever I did in 1960, half a century ago, I couldn't do that today and enter the field. The field has changed so much, you have to adapt to the times whatever you're doing. That's the reality of life: you have to be a different person today than you had to be then.

Let your customers be your partners; let your vendors be your employees. What's necessary in this transformation more than anything else is courage and a willingness to change.

I'd say that after my father passed my writing changed, it went deeper. Most would say 'matured' but I don't think I'd use that word in relation to my progress. I think 'change' is a little more accurate.