My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

I was a very violent kid. I think movies and writing and art have been a way of channeling this.

We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.

No one knows me in the States because the movies have been released in such an awkward, irregular fashion, all by different distributors. There is no continuity.

If you study both 'Gilligan' and 'Brady,' you will see they are based on a similar philosophy: that it's possible for different kinds of people to learn to live together, either in a family or stuck on an island with no escape.

I could keep McQuiston, but growing up it was a hard-work surname. Everyone would always ask me to spell it or just get it wrong. I could call myself Emma Weymouth, or maybe I should take the family name and become Emma Thynn.

I represent poor people, I represent working people. I represent senior citizens. I represent family businesses. I represent people who don't have the wherewithal to hire overpriced Washington lobbyists and lawyers. I want to send the powers back to the states and the people.

I lead by example. My kids know what sweat is. They've seen me come home from so many runs and asked, 'What's on your skin? How did you get it?' And I tell them, 'It's from exercise!' So now my son will come home from a bike ride, take off his helmet and say, 'Look, Mom. I'm sweating! I just worked out!'