My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

I was a very violent kid. I think movies and writing and art have been a way of channeling this.

We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.

No one knows me in the States because the movies have been released in such an awkward, irregular fashion, all by different distributors. There is no continuity.

I want to thank God, obviously for the health, for the talent He's given me, for my family who supports me, for the things that basketball's taught me on and off the court. For the people that I've been able to meet through the game of basketball.

I'm very happy for the Contreras family. They're out. Now they've got a chance to experience life the way I did as a kid. You know, his kids are going to have a real chance in life now, and the same way that I had it.

Everyone has material about cats, and everyone has material about family and what they think about their government or childhood.

I had a lot of different reasons for writing the book, but at its core was the desire to write for black teenage girls growing up reading books they were absent from. That was my experience as a child. 'Children of Blood and Bone' is a chance to address that. To say you are seen.