My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

I was a very violent kid. I think movies and writing and art have been a way of channeling this.

We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.

No one knows me in the States because the movies have been released in such an awkward, irregular fashion, all by different distributors. There is no continuity.

We hear the stories every day now: the father who puts on a suit every morning and leaves the house so his daughter doesn't know he lost his job, the recent college grad facing up to the painful reality that the only door that's open to her after four years of study and a pile of debt is her parents'. These are the faces of the Obama economy.

There will be no 'Mommie Dearest' in the lives of my children, and no books like the one the Crosby boy wrote about Bing, or Bette Davis's daughter has written. My children love me very much, and they are loved.

When I was a child, and I was at our school, everybody's parents were involved in space program. In every class, we have several kids whose fathers were flown cosmonauts or who prepared for the flight.

My family is Native American, and I was raised with Native American ceremonies.