My aunt Julie was a production manager, and she heard of an opening. Some show was looking for children to run around the house or whatever. I auditioned and got the part, and I showed up in all of my monstrous energy, bouncing everywhere like an electron.

I was a very violent kid. I think movies and writing and art have been a way of channeling this.

We are all different human beings, and we all have different backgrounds, and we stem from different social strata. That is what defines how you hear people talk, how you want to quote them when you speak. We all have different fears and doubts and complexes and this is what shapes the way we see other people. Especially characters.

No one knows me in the States because the movies have been released in such an awkward, irregular fashion, all by different distributors. There is no continuity.

As his partner on this amazing journey, I can tell you Mitt Romney was not handed success. He built it.

When 'Pizza' released, I was a nobody. Initially, we managed to get only 100 screens. But, after its success, the producers of 'Naduvula Konjam Pakkatha Kaanom' got 150 screens and also released the film in the U.S. Now, distributors are keen to invest in my films because they feel I have face value.

I quite like the idea of family. That's probably the greatest achievement in the world. I've got a lot to achieve workwise - I'd love to direct - but family would be good.

In baseball you have individual responsibility, and if you fail it, you get an error. But at the same time, your focus is on the common goal of the team to win. This is part of what resonates with people about baseball. This is how they would like society to work.