My older brother and myself always played together in bands, but we never knew we would be professional musicians.

I'm not a person who writes really abstract things with oblique references. I look at abstraction like I look at condiments. Give me some Tabasco sauce, some ketchup, some mayonnaise. I love all of that. Put it on a trumpet. I've just got to have the ketchup and Tabasco sauce. That's my attitude about musical philosophy.

I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking.

What I really have in my head, my imagination, my understanding of music, I never really get that out.

The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.

A Princess of Mars' may not have exerted the same colossal pull that Tarzan had on the global imagination, but its influence on generations of readers cannot be underestimated.

I first wrote for adults, but when I started writing for young people, it was the most creative and liberating experience of my life. I was able to express my own deepest feelings far more than I ever could when writing for adults.

There is simply no substitute for hard work when it comes to achieving success.