When you put comedy in the room it's supposed to be in, you start learning it's a process. Not everything is a home run. You have singles, and you ground a few out. But ultimately, it's the journey you have with that comedian, whether it's ten minutes or an hour.

For me, when I think of curiosity on television, a lot of times my childhood was shaped by shows on PBS that encouraged and embraced curiosity.

Whenever I've done jobs, whether it's an acting job or writing job, there's an aspect of it that feels like you help build your piece of it, and then you watch as someone takes it, and they finish building it.

When we simply write a place off as, like, 'Well, it's just Trump country,' for the people who are there, we do them a disservice on some level. It's their country, too.

We are, in the comics, the last frontier of good, wholesome family humor and entertainment.

When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.

My goal is really to just make people laugh with integrity, like, with something that I still find funny.

We all have, in my family, what we call the 'Vorderman bottom' - a sticky out, bigger-than-normal, signature, of the rear variety. It's been a family joke all our lives - even my lovely brother has one. I know the lines to all the good singalong big bum songs.