I have sympathy for young people, for their growing pains, but I balk when these growing pains are pushed into the foreground, when you make these young people the only vehicles of life's wisdom.

You can find the entire cosmos lurking in its least remarkable objects.

There's simply too much fuss about myself.

Poets yearn, of course, to be published, read, and understood, but they do little, if anything, to set themselves above the common herd and the daily grind.

I grew up in Little Rock, Arkansas, and before the Internet and before everything, just to get anything interesting, you had to go on vacation to San Francisco or something. But I think when you're in the middle of America, you feel very jealous of not just comedy but music that you don't have access to.

I really love writing comedy. Writing romantic comedy is even nicer because you get to write about how insane we all act when we're falling in love.

I always found the dramatic side of things easier than the comedy, because there's so many ways to do comedy, and it's also subjective. Someone might not laugh at what you do, whereas if you're going to do a dramatic scene, there's usually only one way you can do it.

You write the way you think about the world. My motto in times of trouble - and I'm speaking of life, not writing - is 'no humor too black.'