I was an alto and was in a lot of choirs growing up.

I've always had gender confusion. I had two older brothers, and I've been predominantly male influenced. I really always looked up to my dad, really always looked up to my brothers... I had a lot of male friends growing up. It didn't help that in my town, where I lived, there were no female musicians.

When I was a little kid, I was a huge fan of 'The Kids in the Hall.' They were like my boy band. I was obsessed with sketch comedy. Being raised Christian, I was somewhat sheltered from the more radical high-art world. So to me, comedy was where people got to express themselves in an abstract way. It was a big part of my growing up.

Good singing is learning how to transmit learning musical information with your voice in a way that everybody can relate to. But as a woman you just get a lot of criticism because everyone sees you like a raw lump of clay that needs some help.

Ultimately, I hypothesize that technology will one day be able to recreate a realistic representation of us as a result of the plethora of content we're creating converging with other advances in machine learning, robotics and large-scale data mining.

In software systems it is often the early bird that makes the worm.

Making music is what drives me - not awards, not Internet fame, not even exorbitant amounts of money. My fans call themselves 'Aadeez,' and they are the most loyal lot. I make my music for them. I love them.

Blockchain's a very interesting technology that will have some very profound applications for society over the years to come.