I would provide more opportunities for the kids of urban communities to go to school and learn trades - to get more jobs to take care of their families.

For 'Regulate,' I was at home, and I came up with it. I was listening to Michael McDonald's 'I Keep Forgettin'.' It was a record that I always loved, from being a kid and my parents playing it when they had their company of friends over. It was a record that just stuck in my head, and it just felt good.

If I'm not putting out music, I'mma be producing for everybody. I got an artist named Mike Slice. He's nice, and he's real good. I'm doing a bunch of production for all the artists in the industry because I'm as much as a producer as I am an artist.

It just feels good to know the work I did, people like it and love it - and continue to like and love it. It makes me feel real good that, after 20 years, 'Regulate' is still in heavy rotation all over the United States and all over the world.

There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters.

What I got out of it was a great experience working with great people and it becoming a tremendous - basically - a family at the end that none of us wanted to leave.

I had an instinct to take my husband's name when I got married. It felt like a romantic statement of pride, love, and permanence and of doing what's always been done in my family.

I felt it was a privilege that I came from such a rich background. I had the best of both worlds. My mother was a Shia Muslim, while my father was a janoi-clad man. He never pretended to be secular.