This applies to many film jobs, not just editing: half the job is doing the job, and the other half is finding ways to get along with people and tuning yourself in to the delicacy of the situation.

There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.

If you want to freak your cat out, stare at your cat. If you want to reassure your cat, stare at your cat, then very deliberately and very slowly blink. Like that. The cat will also deliberately, slowly blink back at you, and I almost guarantee that she will start to purr. That's a feline reassurance.

I was greatly influenced by musique concrete when I was, like, 10. I was completely mesmerized by the idea that you could make music out of sounds. So that's been a constant influence on all my work.

Playing shows is really fun. And writing music is really fun. But going on tour for a year is one of the more soul-crushing experiences you can have as a creative person.

My art and poetry is very political now. Because you've got to find that truth within you and express yourself. Somewhere out there, I know, there will be people who will listen.

Imagine if all those kings and dukes hadn't commissioned those crazy cathedrals, paintings and music... we'd still be living in sticks and mud. Because none of those things made any economic sense. Human beings' capacity to 'waste time' is a miracle - but that's exactly what art is for.

DonorsChoose was conceived at a Bronx public high school where I taught social studies for five years. In the teachers' lunch room, my colleagues and I often lamented a problem that drained learning from students and creativity from teachers: a lack of funding for essential materials and for the activities that bring subject matter to life.