When I was growing up, we would play a 10-over or 15-over game, and the asking-rate would always be high, and I would end up scoring 30 or 40 runs in 15 balls, so I built that mindset right from the beginning and still continue to bat in the same manner.

When I was growing up, I played a lot of ten- and 12-over games, and I would bat in the middle order. I got only ten-odd balls to face, and I tried to score as much as I could. I applied the same approach in domestic and international cricket, and people were appreciating my strike rate being more than 80 or 90 in Test cricket.

During the peak of my career, I used to pick the ball as soon it was released from the bowler's hands. And I hit the ball through the line.

April 2nd is a memorable moment of my cricketing career.

I've sat in so many meetings where they talk about converting movies to 3D just for the China market and just to make more money. I saw that people in China work long, long hours and that it's expensive to go to the movies, and you want to rip them off for even more money? I don't think that's right.

In rising financial markets, the world is forever new. The bull or optimist has no eyes for past or present, but only for the future, where streams of revenue play in his imagination.

If Barbra Steisand wants to make a picture called 'My Pink Fingernail,' the studios will go, 'Gee, Barbra, what a wonderful idea! Money is no object! Take two years in preproduction and write the music, and you'll direct.'

Not to say people shouldn't get rich from art. I adore the alchemy wherein artists who cast a complex spell make rich people give them their money. (Just writing it makes me cackle.) But too many artists have been making money without magic.