Growing up, the image I had of Princess Margaret was completely different. I knew that she was a slightly tragic figure, but I didn't know why. Now, I love her with my all my heart. She was such an amazing person, and getting to 'know' her better was an honor.

I did The 'Acid Test' at the Royal Court, by Anya Reiss, who's the most wonderful, amazing female writer. She was only 19 when she wrote it. She wrote it about three girls in a flat on a Friday night, and that was magic because it was so rare to have three girls in your age group in a play. It just doesn't happen.

I thought, 'If I go to uni, I can read and watch people and take many different subjects - take philosophy modules - and have time to travel in the summers,' which I did. I thought, 'I hope this will make me a better actor,' and it did.

So many times, you pick up a script, and you think, 'OK, so she's the sexy one,' or, 'She's the ex-girlfriend.'

The balancing act of motherhood and a career, and being a wife, is something that I don't think I'll ever perfect, but I love the challenge of it.

I think that there are a lot of really beautiful Christmas carols, and then sometimes there are horrible renditions of them that are played to death in malls that make me sad. I try to avoid stores where they're playing bad versions of Christmas songs on repeat.

You have to try and take care of your service games and not get into those awkward sudden-death deuces that can only get you into trouble.

The birth of the Savior into mortality is an event of immeasurable significance that occurred almost 2,000 years ago. In much of the world, calendar years are numbered forward and backward from the entire time of His birth.