We had a couple of films that, in the course of working on them, the budget shrank to the point where we couldn't make it. They literally ran the numbers: They took our numbers and the stars' numbers, and when they calculated whether we could make our money back or not, it said no.

If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.

Ruby Sparks' has been sold like a romcom in the States. But we never saw it like that.

We were alive during the 'Battle of the Sexes', but that story hadn't really been told.

Anxiety is the handmaiden of creativity.

My approach as an actor has always been the same, in that the greatest gift that you're ever going to have is your imagination because you're not going to have all life experiences. So you draw on things that are sort of close to it but you spend your time expanding on it or drawing something specific on whatever your situation is.

The phenomenon of university creative writing programs doesn't exist in France. The whole idea is regarded as a novelty, or an oddity.

When you call someone and ask them to do something they've never done before, in different mediums I think they would be inclined to pass because they're afraid of the risk. But the creative people who populate the theater world love the challenge of new things.