One thing I struggled with early in my career was the delicate balance between my performance and my identity. When things on the field went well, I was cheerful and felt important. When things went poorly, my countenance and self-concept plummeted, and I was not pleasant to be around.

For policemen to be honest about the fact that they may be fearful when they come into a certain situation, not understanding what's going to happen. The only way things will change and things will get better is if people are able to be honest without feeling like they're going to be offended, or they're going to offend someone else.

The only way to really cure what's on the inside is understanding that Jesus Christ died for our sins.

In the same way that I cannot be perfect and need grace for my mistakes, I also need to give my kids grace. I am constantly learning to be patient with them, understanding that they won't do everything right all the time, while still holding them to a high standard, as their heavenly father does.

I was sitting in the looping studio late one night, and I had this epiphany that they weren't paying me for my acting, for God's sake, but to own me. And from then on, it became clear and an awful lot easier to deal with.

My career direction has probably been guided as much by curiosity and my personality as by my early influences.

After Bruno Walter, my career went in leaps and bounds. I have had 35 years of a career that is just incredible, and a wonderful time all over the world.

Since first starting my career, I've grown accustomed to working with actors older than me. I'm always the youngest.