I used to say to myself, 'Well, in the old days everybody danced because they loved to dance, and there was none of this professional garbage going on about how much can you get for this or that or the other, or any of the kinds of things that insecurity can sometimes promote. Sometimes it's for the wrong reasons.'

It was not until I had graduated from college that I made a professional commitment to it. Frankly, I didn't think it wise. I was my own interior parental force, and it's very difficult to justify a profession as a dancer.

When I started thinking seriously about learning the rules of narrative, I thought, 'You've learned the rules of dancing from the ballet; what's the matter with learning the laws of theater from the people who know how to do it?'

Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language.

What a great way to make some money is just fine somebody $300 if their phone rings in the theatre. That'll make them remember to turn it off.

I just wanted to play tennis. It wasn't a job. It was an ambition. I knew I could make money at it. I was 18 - old enough to think I could do it, young enough not to consider the consequences.

Put everything into it if you're asking people to part with money for it. That's the way I feel about it.

The list of companies that have added their own financial metrics is not a savory group.