My ideal setting is I walk from the streets, backstage, and straight onto the stage. Two minutes, and I am on the stage. That way, in my head I have gone from my world and then into a social setting with my friends.

I'm not an abrasive person. I do speak my mind, but my goal is never to offend. I don't intentionally want to strike a chord.

My mom, through my dad, rented the apartment next door to his... he had the lease on both places. But then, she would dress up and act like his maid... a practical maid. No fantasies.

Africa's not a color - it's a place.

If the goal is to be believable when you're acting, I've got the best idea of what that believability might look and feel like. And because you need a normal guy in a comedy so that the eccentricities can pop, that's a good part for me.

It just seems like the most successful, iconic love stories are not so easy or escapist. I think the ones that stay with us and resonate are full of conflict, discord and misunderstandings 'cause that's what makes drama happen or tension even if it's a comedy.

I can't pretend that I'm a great student of the art of comedy because anybody that becomes philosophical about humour doesn't know what he's talking about.

I love Sell Out, I think it's great. I love the jingles. The whole thing as an album is a wonderful piece of work. The cover. Everything about it. It's got humor, great songs, irony.