People take years learning how to act; it's a skill, not just a job. If I tried it out and thought I'd be OK, then perhaps I'd go for it, but it's not the kind of thing you can get into just because of your looks.

I hate learning lines, so the fight stuff's always my favorite.

As soon as I finish a job, I'm like, 'Geez, I got away with that, and I got paid all right!' But then you get to the press junket, and I'm like, 'Oh God, this is where you earn your money.'

Your job as an actor, I guess, is just to make people relate to the character.

Quite frankly, Minnesota was where my career kind of turned around, and it all had to do with Flip Saunders and his coaching prowess and his system.

We started the company out of frustration with the employer that we had because we were building great stuff and there was no way that this stuff was ever going to get into the hands of the people who could use it.

Fans made me. The fans gave me a chance, and they made me. Beyond that, my career has been trials and tribulations and ups and downs, so I have to have true fans riding with me.

I just lucked into this weird, little obscure cameoesque film career. I just love being a part of film history.