A lot of times, you land in a city, and you're like, 'This is not my people.' I'm gonna do the show, but you don't feel like this is for you. And then, some places, you just go and just fall into a groove, and you're like, 'This feels right.'

I wasn't the crazy kid bouncing off the walls, I would just sit back a make comments and I made people laugh.

People will say, 'What's your favorite part of Cincinnati?' I'm like, 'I was nine, man. I liked recess and having snacks. I didn't go anywhere. I was a kid.'

You get such a visceral thrill driving a race car. You think you've driven, and then you're like, 'Oh, I was doing something for 20 years that I didn't realize I hadn't experienced the real version of.'

I've just written this six-part sketch comedy series, which I've never done before. And I don't know how to pitch it. Am I supposed to just pick up a camera and put stuff on YouTube? Is that how it works?

Some major writers have a huge impact, like Ayn Rand, who to my mind is a lousy fiction writer because her writing has no compassion and virtually no humor. She has a philosophical and economical message that she is passing off as fiction, but it really isn't fiction at all.

The truth is, I should have never done teaching. I did teaching because I didn't have the bottle to have a go at comedy. Whether there's any gain to comedy is not for me to say. But certainly it was no loss to teaching.

When I started acting, my whole focus and intention was to work as a stage actor in a company where you're asked to different roles - do a comedy, do a tragedy, etc. I haven't had any reservations about jumping from one type of genre to another.