If you want to change the world, change yourself.

When they tell you to grow up, they mean stop growing.

A lot of my work comes from what in Asia is called the 'mind of wonder.' There is not a lot of 'mind of wonder' writing in contemporary Western literature. I think that's what appeals to the readers who are my fans.

Our world isn't made of earth, air and water or even molecules and atoms; our world is made of language.

It's funny, though, speaking of fathers and sons, because me and John Goodman played father and son, like, five or six years ago in the film 'Death Sentence,' and I got back with him again in 'Inside Llewyn Davis.'

In 'The Third Hotel,' my narrator, Claire, is wrestling with this sense of perpetual unfinishedness. She's trying to make sense of her husband's death, how someone's life can just stop and not continue, and of the lack of resolution in her own inner life.

The public has heard the stereotypical love songs a million times, and they've heard the stereotypical life-or-death songs millions of times. It's good to mix it up a little bit.

L. Ram Saran Das was sentenced to death in 1915, and the sentence was later commuted to life transportation. Today myself, sitting in the condemned cell, I can let the readers know as authoritatively that the life-imprisonment is comparatively a far harder lot than that of death.