On bikeback, there is a delightful sense of self-direction and autonomy. Lately, I have taken to cycling slowly, more fun than the fast, competitive commuter cycling I used to do. No longer do I jump lights or attempt that irritating wobbling thing that semi-professional cyclists like to indulge in.

There's nothing new about anti-work philosophy. History is dotted with individuals and groups who decided that laziness was next to godliness and work was a waste of time.

When stuck years ago in a job I hated, my only friend was the public bench. As the tedious mornings dragged on, how I would long for the lunch hour, when I would be able to escape the torture of the office and stroll over to the churchyard and into the comforting wooden embrace of one of its benches.

These days we seem more bound to our bosses than ever before. We even identify our own selves with the jobs we do: 'What do you do?' is the first question we ask each other at parties, as if a job title could express a fundamental truth about our personality.

I want to do a few crazy things like skydiving and bungee jumping. I am quite an adventure junkie.

I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'

I wanted to be an explorer, but gradually found the world had been explored and that there was nowhere left, really. Once they climbed Everest in 1953, when I was 10 years old, I thought, 'Well, that's pretty much it now.' But the idea of travelling and exploring and adventure was very strong.

I can never kind of fathom a character's journey beyond the moment when you go to black, any more than when people ask me what Jason Patric did with the tape recorder at the end of 'Narc,' you know what I mean? Even in 'Blood, Guts,' like, what happens down the road with these characters?