I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.

At its essence, 'Groundhog Day' is an existential journey of an unhappy, judgmental, slightly narcissistic, misogynistic, dissatisfied, aspirational, entitled, privileged male who has to learn to be the opposite of all those things to find happiness - to learn that learning is important and that you don't get to control everything.

In particular, Stewart Lee and Tony Law, people who could have been really critical, were really supportive of me, and I'll never forget that, and I want to be that person, so you have to work really hard to repress your natural jealousies and be one of those people.

I've stopped asking for criticism, even from friends, because I don't think anyone knows my little world of mega-thorough critical thinking/musical comic rambling better than I do.

As a child, I was afraid of everything. My parents were shy, the kind of people for whom it is an ordeal to go and buy some bread or whatever.

I'm getting money over here. I'm good, I'm young, I'm finally in a position to feed my family; please don't take that away from me.

The signing of the Israel-PLO accord is more than a political milestone. It is a transformative event which touches every Jewish family - physically, emotionally, spiritually.

The building block of every community is family.