When I did 'Amadeus,' I hadn't done a play for five years. And I was so happy doing it and felt so foolish that I hadn't done a play for such a long time that I wanted to go back and really kind of reach out for a classical career.

Kids will eat anything, won't they?

My interests and obsessions have always been so wide-ranging that I keep popping my head out of different boxes as much as possible.

Any part that makes you world famous has got to be a blessing, hasn't it?

As far as WeWork is concerned, we're not competing with co-working spaces; we're not competing with office suites. We're competing with work. We think there's a new way of working in the world, and it's just better. For the millenials and everybody that understands collaboration and the sharing economy, that's just the right way for them.

I wouldn't want to finish my career with the number 20 shirt; I say everything with that.

My whole career I've been interested by the distinction between an emotional and an intellectual response to an artwork.

There would be no idling in a co-operative workshop. Each workman, being an employer, has a spur to his own industry, and has a pecuniary reason for being watchful of the industry of his fellow workmen.