My understanding is that it's quite difficult for actors in the theater to know anybody but actors in the theater. It's the whole concept of the amniotic fluid surrounding one industry, holding people in place. I've never had a season ticket. I'm always a tourist.

I was talking recently with a friend of mine who's determined to never meet her heroes, and I have another friend who's been horribly disillusioned a couple of times. But I've had a wonderful ride with meeting people who have been my North Stars, and Bowie's definitely one of them. He feels like my cousin; like the cousin I never had.

I'm amazed now whenever I go back to London. I'm like, 'Wow. I used to kind of swing up these streets when I knew how this machine worked.' And then when you don't, you lose that. You need to get your license back. I do know how to plant a garden and keep chickens, but I don't know how to do much else.

One of the wonderful things that I've always loved as an art student, what I always loved about comics, was that they are interpreted differently by different graphic artists all the time, so now film is doing that thanks to Marvel Studios.

About 70 percent of the district was new. It was a short amount of time to get to know hundreds and thousands of people. But with the help and support of old friends, we built a grassroots operation organically from the ground up.

I'm quite good friends with the putative director, Vincenzo Natali, and I'm a big fan of his work, but beyond that, I don't like to talk about other people's work work-in-progress.

We are aware that globalization doesn't mean global friendship but global competition and, therefore, conflict. That doesn't mean we will all destroy each other, but it is no happy global village, either.

Well, first of all, making films is a collaborative process. You need people. You need people you trust and love and who are your friends. People you can work with.