Growing up, I always loved working with people. I love playing with people and having that moment of discovering something different. I believe in the magic of what music is.

Driving around with my dad, growing up, he would play everything: Philip Bailey, Manhattan Transfer, Frank Zappa, Cream. I'd be like, 'Dad, cut this stuff off!' And he'd say, 'No, you're gonna listen to it.' I didn't understand why he liked it so much. In my mind, I would be thinking about the theme song to 'Sonic the Hedgehog.'

My whole being sonically comes from my dad's understanding of music.

My high school teacher, Reggie Andrews, was a huge factor in my learning my instrument. He didn't play bass, but it was the part where he gave me a knowledgeable perspective of what it was that I was doing.

The British economy of the future must be built not on the shifting sands of boom and bust, but on the bedrock of prudent and wise economic management for the long term. It is only these firm foundations that we can raise Britain's underlying economic performance.

If a man has money, it is usually a sign, too, that he knows how to take care of it; don't imagine his money is easy to get simply because he has plenty of it.

Acting is a funny job because you're always playing a hundred levels of pretend, but when you're working with great designers who end up doing a lot of that work for you, you can focus on the things you want to focus on.

We can't go to people who have lost their job at GM and say, 'Oh, by the way, we are going to pay money to build a road here or inoculate children there,' unless we can demonstrate that it is in America's interest. I happen to think it is.