My choice growing up was the 'Star Wars' role playing game. At that time in the Nineties, they had a pretty robust pen and paper system.

T.J. Miller and Kumail Nanjiani I met when I was in Chicago, learning how to do comedy.

When you're an actor who just got his first big chunk of change, and you're like, 'What do I do with it?' you try to look at Silicon Valley, and the learning curve is so huge. Especially on the investor side. I don't want to say it's like Vegas, in a sense, but you do kinda roll the dice on some companies. It's like educated dice rolling.

I'm a military history buff.

I love a good Steve Martin, Martin Short scene where they're being super physical - I don't mean to compare myself - but I relate to their type of comedy because they do crazy stuff but come at it in an honest way.

Because Buffy really has become the straight man, every once in a while it's nice to be the one that tells the joke and it's nice to be the one that is the joke and it's nice to do something that's a little bit different.

A straight factor is important in any comedy, because you need something to tee it up and also to ground it.

I read that John Hughes script for 'Mr. Mom,' and I thought, 'This guy is a funny writer.' I went: 'You ought to stick around and direct this thing.' But he didn't; he left, and look what he became. A really legendary comedy director.