I used fashion to express myself as much as I could. But at some point, it was not enough.

I realised I was living in my own universe with lots of assistants. I didn't have a cell phone; I didn't know how to use a computer. Everybody was doing everything for me. So I left and moved to New York. It was the end of an era, and I must say I found myself a bit lost. I wasn't in the protected Mugler universe any more.

I survived on sandwiches, and I was on stage every night for six years of my life. I was working 16 hours a day between class, rehearsal, being on stage.

I have always tried to sublimate the body and to make people dream.

I have a lot of funny friends, though not everyone's funny all the time. Doon Mackichan's my funniest friend in the pub; Nina Conti's the funniest with a monkey.

The reason that I started the Black Futures Lab is because I have some clarity about what I think needs to happen in relationship to electoral organizing. It's not a destination. It is a set of tools that we use to engage people that we care about, en masse, around issues that are important to us.

There is a positive and personal relationship between the Egyptian people and the Syrian people.

I have a half-brother who is very, very, very gay, many cousins, best friends who are all members of the LGBT community, and for me to not say anything would be hypocritical. There is a lot of prejudice. People think it is abnormal. No, it's just another normal.