It took me coming to the Midwest to realize I was the jerk. People are so nice here. They're so grounded.

Having a relentless lineup full of professional hitters works on so many levels. It works in terms of pure baseball reasons: if you get on base, you're going to score runs.

If you're trying to avoid one move that you don't think is going to work out, don't then settle for a different move that maybe doesn't check all the boxes. Be true to the philosophy and understand the bigger picture. There's always another day to fight.

We try to do a great job of understanding the opposing hitter and his tendencies. Maybe understand the hitter better than he knows himself.

No one's ever going to make a PG-13 animated film unless David Fincher executive produces it and puts it out on Netflix, and then if it's a success everyone will change.

It's my goal to make a building as immaterial as possible. Architecture is a very material thing. It takes a lot of resources, so why not eliminate what you don't need as long as you're able to achieve the same result?

I guess after the whole success with 'Lean On' - me being introduced into this more mainstream audience - I was a little scared of being my true self, and being vulnerable and being gritty.

I didn't know how to deal with success. If there was a Rock Star 101, I would have liked to take it. It might have helped me.