If you rely on a more conventional understanding of the term 'left-wing' as being associated with gradations of socialism in the emancipation of the working class, the Leap Manifesto looks something more along the lines of what the great British socialist and essayist George Orwell was on about in 'The Road to Wigan Pier' in 1937.

It should tell you something that Pakistan's Inter-Services Intelligence (ISI) agency invented the Taliban in the early 1990s only because Hekmatyar, its primary U.S.-bankrolled proxy in the war for control of Afghanistan, had proved too bloodthirsty after the Soviets withdrew, even by the low standards of the ISI's ghastly generals in Rawalpindi.

It has been almost three years since U.S. President Barack Obama pipsqueaked on his chemical-weapons 'red line' in Syria and joined with Russian strongman Vladimir Putin in the pantomime that resulted in the Sept. 27, 2013 U.N. Security Council Resolution 2118, which called on Assad to surrender his chemical weapons stockpile.

Afghans long ago resigned themselves to this sort of thing. Compromises must be made. Deals with the devil are better than ceaseless butchery. In the exigencies of post-conflict bygones, against the threat of collapse into more terrible bloodletting, the ugliness of realpolitik is the lesser evil.

I wake up every morning and I feel like I'm juggling glass balls. I live in Los Angeles, my business is run out of London, and most evenings I'm cuddled up in front of Skype, in my dressing gown, speaking with my studio in London. I travel a lot, my team travel a lot, but I wouldn't have it any other way.

But I do believe in living life to the full and so I have no problems spending money on travel and holidays.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.

I know what it's like to be genuinely intrigued and compelled by a story and to have a sense that there's an adventure to be had and a film to be conjured.