I come from a place where there's a lot of musical families.

I still do lots of gigs where I'm the support act and people are chatting through my set, but I've got better at grabbing attention. I mean, my parents would play on bills with people like Judas Priest and get booed all the way through. But they stuck it out, got tough.

The state of radio is not great. It's like playing the lottery. The chances of hitting are mind boggling slim.

It's amazing that you can listen to any song and you can always tell when there's some substance beneath it and when there isn't. Even if it's poetically written and technically brilliant, I'd rather hear something that's all over the place but has some soul to it.

Possessing a healthy imagination is a necessary ingredient for creativity.

I have been taking voice and singing lessons since age 10 and originally got into it because I was really interested in musical theater. After writing my first couple of songs and performing at age 14, I knew that I really wanted to be a singer.

Edward Albee, the premier dark playwright of the American theater, would show up at rehearsal and quote his favorite lines from 'Auntie Mame'. He would stand at the back of the theater, not facing the stage, and sort of conduct the music of his play.

If you're an artist, it's OK to put your money into your art. The advantage, in hindsight, is that you become the film, and the film becomes you; you breathe it.