When I first starting conceiving series like 'Courtney,' 'Polly,' 'How Loathsome,' etc., I was shooting for closed story-arcs but open-ended concepts. Then I started realizing I was committing myself to potentially endless series.

I love gothic monsters, but I like to root them more firmly in the traditional folklore from which they sprang. Or at least, I like to evoke the feeling of those folk stories.

Artists forget than the first purpose of a comic character is to convey emotion. Everything else, like realism, or other kinds of virtuosity, is an optional extra. If you sacrifice expression for the sake of other concerns, you're putting the cart before the horse.

The living werewolves have genuine needs and desires, which, though they may oppose ours, are valid. Even if they want to eat humans, you can't really call them evil, any more than mice can call cats evil, or chickens can call humans evil. It's all just a matter of where you're standing.

If you travel 11 months a year - from one dangerous or isolated situation to the next - if you live in hotels, and every relationship with another human being is a two-week relationship, the only other people who have any idea what you're going through or how strung out you are are other photographers.

I've been able to provide for my family, move out of Harlem and travel the world.

Sailing is the closest I can get to nature - it's adrenaline, fear, a constant challenge and learning experience, an adventure into the unknown. And of course there is nothing better than wearing the same T-shirt for days and not brushing my hair for weeks.

A traveler is really not someone who crosses ground so much as someone who is always hungry for the next challenge and adventure.