I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.

I think everything we do, on one level or another, as writers, most of our writing is informed by our world view. It's informed by our own understanding of spirituality; things that matter, things that are important to us. I write about things that matter for me.

It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways.

God is not accustomed to refusing a good gift to those who ask for one. Since he is good, and especially to those who are faithful to him, let us hold fast to him with all our soul, our heart, our strength, and so enjoy his light and see his glory and possess the grace of supernatural joy.

Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage - or for that matter, in a homelier way, picking out the right fabric for the kitchen curtains, which is also a creative act.

I think it's prima facie evidence for the existence of God because for me to grow up and actually end up working with Glen Campbell is almost unbelievable.

I found a vlogger named William Sledd who talked about his life - it was very minimal edits. It was one of those things where I discovered him, and I was like, 'Oh my God, I'm obsessed with him.' I felt like I was friends with him. And he was a huge inspiration for why I made my first video.