When you're a starving artist, you make do. It didn't matter that I didn't know where my rent was coming from.

In TV, you're a 'writer for hire.' That means you're trying to guess what your boss wants and delivering that story. There's a lot of spitballing. The big thing is 'breaking story,' which means coming up with a story. You do it by episode and put it all up on a board.

I always was missing that female brown queer perspective, and I think in 'Vida' we have that. A lot of things I wanted to touch on and deal with, I get to do here.

I went in for a meeting with Marta Fernandez, and she said, 'We are looking for a female millennial show. Have you heard of the term 'chipster'?' And I was like, 'Of course - Chicana hipster.'

I'd love a racing career, but as I didn't start until I was 28 I missed years of experience.

I was never going to be one of those women who put their career on hold, who put their hand out to their husband to ask permission. I used to think that was the worst.

When you get lucky, as I did getting to work on a series of amazing films, one of the drawbacks career-wise is that the image of you at 10 or 12 or whatever is burned into people's minds for a long time.

I'm living by example by continuing on with my career and having a full, rich life, and I am incidentally gay.