Coming from a very small country, it's always nice to see our own doing well.

I had a country upbringing in a predominantly Maori community, and that contrasted with a very multi-cultured arts community in the Aro Valley in Wellington: growing up around a lot of theatre and poets and writers and stuff.

Anyone who has a parent can relate to this idea of not quite understanding who your parents are or making up stories about them.

With some actors, you can tell, just from their different backgrounds and their different approaches to working, they would have just a natural conflict, just a sort of friction.

If something is a comedy for the sake of just comedy's sake and it doesn't have a good message, I don't have an interest in being part of it. If something is just serious and scary with no good message, I don't want to be a part of it.

When you do a good comedy show, you have to understand that if you don't have drama or sad moments, then the comedy turns into a clowning kind of situation.

At the heart of the best documentaries, there is a journey of inquiry - someone who travels out into the world, comes back with a story, and who then finds meaning in it, and intrigue; someone who tells you about something you never quite knew before, or in a way you hadn't quite thought about.

My CD, my first release, was at the Comedy Works in Denver, one of the best clubs in the country.