I don't feel I have an issue with listening or understanding English in any sort of way.

I think the good thing about Dogme is that it forces you into an extreme sense of reality because there's no artificial light and no set design and all of those icings on the cake that you usually have on a movie.

In a way, the whole notion of a blueprint of a building is not that different from a script for a movie. A sequence of spaces, which is what you do as an architect, is really the same as a sequence of scenes.

I believe in rules. I believe in artistic limitations, and I always have. I've always thought that setting out a set of rules before you start, and then being completely consistent with them, is the only way to make a really good film.

When I stopped going to school, I got the strongest dose of perspective. When you're a kid, your friends, your school, your teachers, your family - that's your whole world, your whole existence. And then when I stopped going, I lost all my friends but the few that were really close to me.

Once upon a time there was a widow who had two daughters. The elder was so much like her, both in looks and character, that whoever saw the daughter saw the mother.

Neither of my parents would ever stand in the way of any of their children speaking their minds.

There are folks who now know black families - like the Johnsons on 'Black-ish' or the folks on 'Modern Family.' They become part of who you are. You share their pains. You understand their fears. They make you laugh, and they change how you see the world.