I don't feel I have an issue with listening or understanding English in any sort of way.

I think the good thing about Dogme is that it forces you into an extreme sense of reality because there's no artificial light and no set design and all of those icings on the cake that you usually have on a movie.

In a way, the whole notion of a blueprint of a building is not that different from a script for a movie. A sequence of spaces, which is what you do as an architect, is really the same as a sequence of scenes.

I believe in rules. I believe in artistic limitations, and I always have. I've always thought that setting out a set of rules before you start, and then being completely consistent with them, is the only way to make a really good film.

Every civilian's death diminishes us, collectively.

It's funny how it usually works out that I end up dying. It sort of works out, because by the time I die, I'm usually tired of working on that particular movie, so I look forward to it.

Death is nothing, but to live defeated and inglorious is to die daily.

Am I a trance medium? No. Have I got a gift psychically? Absolutely not. But I believe in the survival of consciousness after death.