It is a different world than when I was growing up, and you started to just kind of maintain at thirty-five and just hope you can hope it together. People are a lot more vital than I am and doing all kinds of things and leading really important movements.

Now, Tim has been really, really busy, and it's been my job now to kind of deal with everything. And trying to figure out how we balance that, logistically it's a nightmare. But these little jobs make it much easier.

Just because I haven't yet had any project surgery, I'm not going to knock it, because I think women have the right to do whatever they want to their bodies that make them feel good about themselves.

It will be great when it's not such a big deal when a woman gets a good job.

I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.

My very first job was something called 'Nobody's Watching,' that Bill Lawrence who created 'Scrubs,' it was his pilot. It was my very first TV job, and it was a sitcom. Ever since that experience, I've been so itching to get back to that kind of environment and just to be involved with comedy.

I always stayed away from political commentary. First of all, I didn't feel entitled. What I may feel about a candidate, I'm a comedian. I mean, if people like my comedy, that doesn't mean they should vote for the person I like. That's why I always kind of stayed away from endorsements.

After the play of 'Fleabag,' we had conversations with different channels and with film companies about whether 'Fleabag' should be a half-hour sitcom, an hourlong, serialized drama, or a film. And I knew that it couldn't be a drama because I wanted to hide the drama - that had to be the surprise. I knew it had to be comedy.